Why does superman throws his s

Yet this brief snog is both one of the weirdest abilities in the film and the most canonical. A quick smooch at Christmas places a similar befuddling effect on Lois Lane after Superman rescues a Latin American president from an assassination attempt. Not a usable ability but more a temporary curse, Superman is exposed to synthetic kryptonite that's been laced with tobacco residue during the events of Superman III.

The last film of the Donner-Lester era trilogy is the weirdest on principle, although Superman himself is a more "normal" Superman here than he was in the previous film. The toxic Kryptonite generated by Richard Pryor's hapless would-be engineer gradually turns Superman into the Florida Man version of himself, a selfish jerk that goes around committing petty pranks and small crimes.

Eventually, he ends up splitting into two individuals entirely, and fights himself in a junkyard until his better half comes out dominant.

This trilogy of classic 's films created a modern Superman that was charismatic, funny and relatable. Even with a slate of oddball powers that would set the internet on fire if they were filmed today, the films endure, standing firm on the most important power Superman wields: his humanity.

Maggie David has been a part of geek culture for over thirty years. She's worked in video game shops, bookstores, music outlets, and movie stores, and had the joy of assisting in the operation of a small but still thriving comic shop in the Midwest.

She's been a freelance writer almost as long, and can be found helping friends understand the latest moves in the biggest fandoms of today. Now she's helping to provide news and up to date coverage of the happy world of geek - when she isn't snapping up Gundam kits or cross-stitching.

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Sign up using Email and Password. Post as a guest Name. Email Required, but never shown. Upcoming Events. November Topic Challenge: Samuel R. Delany ends Nov Featured on Meta. Lester's version looks better though as Donner never actually filmed the scene in the hotel.

Instead, test footage of Christopher Reeve and Margot Kidder Lois is cleverly repurposed in the scene. While it works fairly well, the sound and performances are slightly off and the continuity doesn't always work.

The reason for the change was that when Superman: The Movie proved to be a hit, Marlon Brando sued the producers because he was owed Not wanting to pay him any of the box office take for the sequel, Brando's scenes were reshot with Superman's mother instead. Fortunately, Warner Bros was able to work out a deal with the Brando estate to put the acting legend back in Donner's version. In both versions of the movie, Superman gives up his powers to be with Lois.

In Donner's version, Superman admits to himself and Jor-El that he's being selfish and that he should be allowed to be happy, while Jor-El argues that he can't favor one human over the rest. Ultimately, Superman decides to give up his powers because he can no longer serve humanity in an objective way. In Lester's version, Superman talks to Lara instead, but the conversation is much shorter and all she says is that if he wants to be with a mortal, he must become one, and no further explanation is offered.

The visuals are a bit different too as the crystal chamber used to depower Superman looks a bit different in each version and, in the theatrical release, the depowering sequence features some bizarre animation where Superman's skin melts away. Gene Hackman refused to do any reshoots without Donner, so Lester could only use what Donner already did with Lex Luthor.

Because of this, Lester used just enough of Lex to tell the story and no more. In the Donner Cut, however, more of the funny business surrounding Luthor is included. The end result is that, in the Donner Cut, each of Luthor's scenes is a few seconds longer. Both movies have the big fight in Metropolis between Zod, his minions, and Superman that ends with Superman running away and luring them to the Fortress of Solitude.

The clip is given a slightly sinister edge from the ominous keyboard music in the background. Type keyword s to search. You may be able to find the same content in another format, or you may be able to find more information, at their web site. This content is imported from YouTube.